Because we have not been saturated enough with images of Saddam, and analyses on the images of Saddam and analyses of our analyses, today the New York Times provides us with a review, I kid you not, of the camerawork of the images of Saddam.
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An excerpt:
"Formally it's a deft piece of work, with striking moments: the underside of Mr. Hussein's tongue, radiantly orange in the doctor's light, is a shot for film students."
Also:
"Sony PD 150's are the same cameras many photojournalists use, but some combat camera operators, like the one who shot Mr. Hussein's medical exam, still manage to give their video a raw, low-fi look."
I'm SOOOOO glad they decided to go with the "raw, low-fi look". I think that was a daring aesthetic choice.
Critic's Notebook: Camera Down the Hole, and the World Follows It
Your quite correct with this writing.
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I don't disagree with you!
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