This past weekend, we went to the Whitney to check out the Biennial. This is the third Biennial I have been to, and I hereby declare it the best. FYI: I am an utter neophyte when it comes to contemporary art, and rely solely on how awestruck I am in evaluating a piece. Very professional, yes?
For me, the highlight of the show was a video by Eve Sussman called "89 Seconds in Alcazar".

FILMMAKER MAGAZINE | BLOG describes it well:
"89 Seconds at Alcazar is a new project by 42-year-old film/video artist Eve Sussman that brings Diego Velasquez's 1656 painting "Las Meninas" ("Maids of Honor") to life in High Definition digital video.
The 12-minute video, which premiered at the 2004 Whitney Biennial (March 11 - May 30), is a 360-degree Steadicam recreation of the salon of the Alcazar (the Palace of the Hapsburgs).
With actors in full costume on a set that reproduces the room in the painting, Sussman imagines the activity -- bristling with the tensions of the royal household, which seem to affect even the long-suffering pet dog -- that might have preceded and followed the split-second arrangement of Velazquez's virtual photograph.
It's a superb concept, one that reflects our hunger for back story and sequel.
The little infanta, Margarita, her attendants and the artist himself, busy at his easel, pause to acknowledge her parents, Spain's Philip IV and Queen Mariana, who have just entered the room and are reflected in the mirror on the far wall in the backdrop. But since the king and queen occupy the position we do -- that is, of observer coming upon the scene -- it's as if Margarita and the court are acknowledging us.
Or maybe not. Perhaps Margarita and company are actually looking in a mirror, and that's what Velazquez is painting, the king and queen being nothing more than an image on the wall. Either way, it's a fabulous conceit."
The original Velazquez:

In addition, the presentation of the video is spectacular - you enter a dark room, and the video is projected onto a 30-foot wall. This enormous scale and the surround sound lend an extraordinary sense of intimacy that makes you feel like a witness in the proceedings. It is a brilliant way not only to connect you with the original Velazquez and the era in which it was painted, but also to how we look at art today. For me, it was an unforgettable experience, and one of the few times I have ever been utterly blown away by the vision and execution of an artist.
other highlights:
Cecily Brown's Black Paintings:

Robert Longo's Untitled series:

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